Wang Bin, female, graduated from the History Department of Northwestern University in 1987. She pursued a four-year postgraduate education at the Cultural and Naturalistic Department in Northwestern University from 1992 to the year of 1996 and ended up with a master's degree in history.

She is the former Deputy Curator of Shaanxi History Museum, now the Curator of Tang West Market Museum and Vice President of the Council. She also takes the membership in the Committee of Chinese Relics Technology Protection Standardization, the Chinese Society of Museums, The Tang Dynasty Institute of China, as well as the commissioner and researcher in Shaanxi Museum Association.

Wang Bin won the championship in the first Shaanxi Explanation Competition and got second place in the National Explanation Competition. Meanwhile, she was honored as one of the ninth Top Ten Outstanding Youths and got the title of pace-setters in the new long march.

Her achievements are mainly embodied in the study of ancient relics and Women's Garments in Tang Dynasty, and museum management and education. Her works published include Interpretation of National Treasures (four volumes), Display and Explanation on Shaanxi Ancient History, The Glory and Dream of Shaanxi, Shaanxi History Museum, Pearl in Ancient Capital and Treasury in Old China. Her papers are published as follows: A Brief Analysis of Female Costumes in Tang Dynasty; Different Stages and Evolution of Female Costumes in Tang Dynasty, A Brief Analysis of Female Hair Ornaments in Frescos from Tang Tomb; A Brief Analysis of Female Updos in Frescos from Tang Tomb; Jinshubei in Tang Dynasty, Female Armlet in Tang Dynasty; An Intensive Study on Costume Materials Unearthed from the Mawangdui Tombs of the Han Dynasty; Gold Currency in the Wei Jin Southern and Northern Dynasties, the Sui and Tang Dynasties; A Brief Analysis of Characters and Inscription of Gudu Xin Jet Print; On the Dynasty and Writer of "Gun Xue" in Moya Cliffside Carving; On the Artistic Features of Ode to Shimen; In view of Carving Techniques of the Shimen Inscription; On the Value of Libaotong Moya Cliff; On the Stability of Explanation Group from the Virtual Practice in Shaanxi History Museum; A Brief Analysis of the Explanation Group Combination in the Market-oriented Economy; Improvement of Loving and Educational Tasks in Historical Museums; Juvenile Education of Chinese Museums; On the Museum Management of Unprofessional Narrator; How Does Museum Better Preformed the Educational Function After Free Access Provided.